Visual Analysis Essay Example for Free

Visual Analysis Essay During the Hellenistic period Greek art experienced a transformation. Sculptors broke away from the previous representations of the human body and learned to use contrapposto, or counterpoise, to portray the people in a more natural way, revealing an individual’s character through the work. The Bronze Statuette of a Veiled and Masked Dance is a Hellenistic sculpture currently located at the Metropolitan Museum of Art in New York. It was made between the third and second century B. C. in Alexandria, Egypt, and displays the skill of an unknown sculptor who portrays a female citizen of his city. Artworks are always communicating something, and by using Dr. Terry Barrett’s method of analysis and interpretation one can deeply analyze and interpret this work of art for his or herself. The subject matter of this sculpture is a woman caught in a moment of dramatic dance. Even though she is completely covered her body movements are clearly visible. Her right hip is thrusting to the side, foot pointing outward, while her arms sway forward and she throws a backward glance. She is finely draped from head to toe in a long, heavy looking dress and large veil that she directs with her arms. There is also a thin mask covering her face and lace detail on her slipper. It is made from bronze and stands 8 1/16th in. tall (20. 57 cm). Although this work is small, it was created to be viewed in-the-round, so one can move their body through space, essentially dancing around the piece while their eyes curve around the dancer’s garments, led by the lines created through the folds of the fabric. Value is also established through depth in the bronze folds of the clothing. This is a realistic representation of a female entertainer that was popular in ancient Alexandria. One may establish an idea from this piece about the roles and lifestyle of women within the culture of these people. Women in this society were captivating and worthy of being subjects in works of beautiful art. There is a strong presence given by the boldly moving body surrounded by such detailed drapery. The use of contrapposto, one leg jutting out straight while the other is bent, a twisted torso and turned head, makes her movements seem lifelike. A viewer could feel engaged and intrigued by witnessing this woman’s dance, and the sculptor captured that sentiment in this moment exactly. It was most likely a decoration for someone’s home.

Symbols, Symbolism and Irony in Thomas Manns Death in Venice Essay

Symbols, Symbolism and Irony in Thomas Mann's Death in Venice      Ã‚  Ã‚   In the novel Death in Venice, by Thomas Mann, an observer compliments the main character Gustave von Aschenbach by saying, " 'You see, Aschenbach has always lived like this '-here the speaker closed the fingers of his left hand to a fist-'never like this '-and he let his hand hang relaxed from the back of his chair" (p. 1069).   This is a perfect description of Aschenbach, a man set in convention, driven to succeed from an early age, quite dull really.   After all, his favorite motto was "hold fast" (p. 1070).   He has always kept his feelings in check, and never allowed himself to lose control of any aspect of his life.   As the story progresses, however, the fist that is Aschenbach slowly opens up until it finally releases all the pent-up emotion and desire.   Wrought with symbolism and irony, Death in Venice tells a tragic tale of unbridled lust, misspent youth, and the undoing of a man, once so firmly in control his life, as he ultimately surrenders to a pa ssion that overcomes him. Gustave von Aschenbach is a renowned and successful writer, yet he is losing any passion he might have once had for his craft.   He has always been driven to achieve, and thus has spent no time in the pursuit of happiness or even simple pleasures.   His life is entirely predictable. "Too busy with the tasks imposed upon him by his own ego and the European soul, too laden with the care and duty to create, too preoccupied to be an amateur of the gay outer world, he had been content to know as much of the worlds surface as he could without leaving his own sphere-had, indeed, never been tempted to leave Europe" (p. 1067).   But he becomes tired of his day-to-day existence, growing di... ...t in Othello, "If it were now to die, 'Twere now to be most happy."i[2]   Never again would Aschenbach experience such a moment of utter bliss and perfection; following this instant there was nothing left to live for.      Notes: 1 Mythology summaries taken from www.greekmythology.com 2 Othello, Act 2, Scene 1, lines 189-190 www.geocities.com/~spanoudi/quote-19c.html Works Cited: "Death in Venice," Thomas Mann, Michael Henry Heim (Translator) Publisher: Harper Perennial (May 31, 2005) Othello, Act 2, Scene 1, lines 189-190 www.geocities.com/~spanoudi/quote-19c.html Greek Mythology For Dummies www.greekmythology.com

Why Could Be Considered a Turning Point in Lord of the Flies

Filippo Denti! 07/04/2009 Explain why Chapter 4 could be considered a turning point in Lord of the Flies Chapter 4 can be considered a turning point in the book since it shows many different aspects of the book which weren't covered yet. It starts showing the savageness of the children and the loss of civilisation and order. it also shows that with all this anarchy the children still have order in their souls whom they can not expel. the chapter also tells us how people ignore commands and follow a person just because they are afraid of him. Chapter one ? ts perfectly well in the beginning of the book.The chapter gives us a clear vision of what has happened before the beginning of the book; the plane crash, the atomic bomb; the island and the war. It shows it when Ralph, then known as the boy with fair hair says that; â€Å"This is an island. At least I think it’s an island. There is a reef out in the sea. Perhaps there aren’t any grownups anywhere. † we ? nd out it’s a plane crash when Piggy says â€Å"There was that pilot. But he wasn’t in the passenger tube, he was in the cabin in front†. As the book goes on Ralph and Piggy ? nd all of the other boys on the island and the choir, with its boss Jack.Thanks to Ralph the children are united under a shell, the Conch, this precious shell is the symbol of legacy, order and respect. The children join together thanks to the Conch, since Ralph blew in it and it made a very high sound which was heard by everybody. When all of the children were gathered a leader was elected and that http://listverse. com/wp-content/ leader was Ralph, partly because he was the biggest and partly uploads/ 2007/08/6a00d41432c15a685e because he was handsome. The most important event in these 00d41436fd406a47-500pi. jpg chapters, in my opinion, is the ? re. The ? e was created so that the ships and airplanes that passed could see the smoke and notice them. The idea of the ? re is great but you should never joke with ? re and the result of their ? re was that part of the island was burned and a poor child got killed. Out of this mess Piggy is showing up as being the most intelligent and intuitive of the group. Chapter four starts off with a description of Jack painting his face. This is very important because it shows the changement of Jack into a beast. He is painting his face to be scarier and, in his thinking to appear as a warrior. This comes from ! 1 Filippo Denti! 07/04/2009 ncient African tribes who used to paint their faces to scare the prey. This is a very important symbolical event, it starts showing the transformation of the boys, from civilised to savages. The intent of jack is to scare, scare like a savage the wild beasts, the new people of their new world, beasts who have no laws and do what they want when they want it. This is shown when Jack is convincing Bill to leave the ? re: â€Å"The rest are making a line. Come on! † â€Å"But- -we-† â€Å"Co me on! I’ll creep up and stab-†. This is why the ? re went out while they were hunting. He is forcing people whom are following a set of rules to go savage and kill boars.This is the moving into the wild. Bill is afraid of what the others would think if he didn’t join, they would have thought that he was a person who was afraid of breaking the rules. This is bringing people into the wild. Jack paints his face showing that he is a warrior. A warrior is a person who isn’t afraid of dying and killing. A savage person, who utilises weapons to kill for food. This is the job of the choir and of Jack. They tried to hunt before but with no success since Jack didn’t manage to kill the pig but he promised himself that the next time he will kill it. â€Å"you didn’t kill. â€Å"But I shall! Next time! I’ve got to get a barb on this spear! We wounded a pig and the spear fell out. If we could only make barbs-† Jack is accusing the spear for him not killing a pig but even if it had a barb he didn’t have the guts of killing it. No we see him all http://img101. imageshack. us/img101/8682/ painted in the face willing to kill and involving many lotf2xd6. jpg different people in the hunt, not only the warriors but also the ones of the ? re. This time Jack is willing to kill, â€Å"I’ll creep up and stab† Roger and Maurice, in this chapter, have changed immensely, they, at ? st, destroyed the sand castles in the Littluns play area. Roger was ? rst and came marching in kicking the castles down while going to swim after ? nishing their ? re duty. Roger led the way destroying castles, burying ? owers and Maurice joined after; â€Å"Roger and Maurice came out of the forest. They were relieved from the ? re and had come down for a swim. Roger led the way straight through the castles, kicking them over, burying the ? owers, scattering the chosen stones. Maurice followed, laughing, and then added to the destru ction. †. These two boys are taking advantage that they are bigger and start to bully the Littluns.Roger, after destroying the castles, throws stones to Henry. He throws them without hitting him, as though there was a shield around him. This is because he is turning savage but at an extent, there is still a little piece of civilisation and humanity in their souls. This piece of humanity can not be expelled since it is engraved in their souls. Maurice went away because he had problems before and so he left Ralph; â€Å"†¦ Maurice hurried away. In his other life Maurice had received chastisement for ? lling a younger eye with sand. †. This shows that they haven’t quit with the old habits. ! 2 Filippo Denti! 7/04/2009 When Jack kills the pig the ? re goes out. The ? re is the symbol of hope and rescue, a rescue who could have been near with the ship’s sight. On the other hand the pig represents savageness and the wild. The fact that when the pig dyes the ? re goes out is that savageness covers hope. The children have become savages and went to kill the pig ignoring their only hope signal, the ? re. It’s like a peace ? ame which goes out when a war starts, these two things are opposite and can not cope with each other. The same is in the book, Mr. Golding wants to show that when savageness over? ws through people there is no more order, the order that ruled with Ralph. Ralph ordered that the ? re should never run out, but when Jack decided to go hunting every one went, becoming savages, pigs enemies. The only to be still obedient are Piggy, Simon, Maurice and Ralph, all the rest went hunting, ignoring the orders given. We can se the difference when the hunters come back chanting savage songs: â€Å"Kill the pig. http://www. globalnerdy. com/wordpress/wpcontent/uploads/2008/10/lord_of_the_? ies. jpg Cut her throat. Spill her blood† and when Jack says laughing: â€Å"There was lashings of blood, you should have seen it! . All of the hunters are laughing and singing while the others are still. Ralph continues to say: â€Å"You let the ? re out. †. Only at the end the hunters realise that they could have been rescued and jack apologises: â€Å"I’m sorry about the ? re, I mean. There. I – I apologise. †. Jack has restarted treating Piggy badly, but this time it’s not only the verbal but this time also violence. He, at ? rst, hits Piggy in the stomach and then when he is lying on the ? oor he slaps him making his glasses ? y and break. â€Å"He took a step, and able at last to hit someone, stuck ifs ? t into Piggy’s stomach Piggy sat down with a grunt. Jack stood over him. His voice was vicious with humiliation. †. This shows that he was showing off what he could do, in fact Ralph repeatedly tells him: â€Å"That was a dirty trick. †. Simon is the only one who helps Piggy, he gets his glasses before anyone does something to them. He seems to have changed side, no more Jack Meridew but Ralph and Piggy. Although he seems so mite he continuously disappears into the forest to secret places: â€Å"I painted my face- I stole up. Now you eat- all of you- and I-†. This creates a long silence while he goes in the forest.At the end we see the children eating the meat half raw, this means that they now, not only act but eat as savages, with the food half cooked. This is typical of animals to eat raw ? esh, not of civilised children. The beginning shows the rhythms of the island, the dawn, the dusk, the cool moments and the way the children have adapted themselves. At the end it shows that the children have lost their civilisation. At the beginning we focus only on Jack and the scene is calm, at the end it’s a chaos between the pig and the ? re. Golding shows us the how sudden the changes are. As I red through the chapter I could ! 3 Filippo Denti!

Essay about Criminal Justice Authority Evaluation

Criminal Justice Authority Evaluation Lori Bell CJA/550 October 31, 2011 Brenda Ward Civilian oversight of law enforcement is a vital element of the democratic society. Effective civilian oversight of police is crucial to guarantee that the police use its power of authority in a way that exhibits respect for the law and individual rights and freedoms. The committee’s responsibility is to maintain a balance between police independence and to complete investigations and maintain order without undue political influence, or influence from any other source while remaining accountable to the public. The belief that civilians do not understand what a police officer faces on a daily basis becomes the crux of most complaints made by†¦show more content†¦The prosecutors political obligation, which becomes effective only if the prosecutor pursues reelection, thus inclines to disguise the necessity for more direct boundaries on his discretionary authorities as well as for controls upon choices the prosecutor and his subordinates make in different cases. Forei gn legal organizations have established different tools in that regard. In some countries, statutes overtly limit prosecutors discretionary power, and in several legal organizations, the prosecutor is subject to many forms of control by courts, victims, or private citizens. Court The assignment of judging had been defined as the art of making discrete selections among conflicting options of action. Charged with the instruction to govern justice equitably and justifiably, judges have discretion to pursue any lawful option. 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